Children of Arkadia is now available in ebook and paperback everywhere. Find out more.


Thanks for stopping by! I hope you’ll find something you like here.

If you want to read something short, check out the free stories available here or the links under “Publications” on the right go to other places my stories have been published. Some of those are free to read online.

If you prefer longer works, I have free samples of all my novels available on the site. Beautiful Red was my first book, and is a standalone cyberpunk story. Self Made, Act of Will and The Beauty of Our Weapons are a series (in that order) about future detective Andersson Dexter.

My newest novel, Children of Arkadia, a political space station epic, is available now at most online booksellers or ask for it at your local bookshop.

My Sasquan Schedule: Signing, Reading

My Sasquan Schedule: Signing, Reading

If you’re going to be at Sasquan, I’ve got a couple of scheduled items. I’ll be at the SFWA table in the Dealers’ Room on Thursday, and will be signing from 5:00 pm to 6:00 pm. I’ll have a half dozen copies of Children of Arkadia available — come and get ’em!

Also, fellow Bundoran Press author Matthew Johnson graciously offered to share his reading with me, so come join us in room CC-301 on Friday at 1:30 pm.

My ‘When Words Collide’ Schedule

My ‘When Words Collide’ Schedule

I’ll be attending the When Words Collide literary convention in Calgary, Aug 14-16. Registration is full, but if you’re already registered, stop by and say hi. My schedule so far is:

Mystery Shorts
Axel Howerton, Darusha Wehm, Jayne Barnard, Sam Wiebe, Constantine Kaoukakis (M)
What are the ingredients and markets for short mystery stories? Short mystery stories need to be succinct and punchy. They are a writing challenge on their own. There are conventions, guidelines and various markets to be considered. Join us for a lively discussion to learn about the writing opportunity.

Diversity is Real (Saturday, 10am)
Kate Larking, Jessica Corra, Darusha Wehm, Sandra Wickham, Halli Lilburn
The world is populated by a diversity of people, and so should your stories. This panel will discuss including realistic diversity in your realistic or fantastic fiction, particularly dealing with LGBT characters.

Does Being an Editor Make You a Better Writer? (Saturday, 3pm)
Richard Harrison, Axel Howerton, Nowick Gray, Darusha Wehm, Barb Galler-Smith (M)

Reading from Children of Arkadia (and more?) (Saturday 8:45pm)

Mystery Live Action Slush – long form Mystery, Crime, or Thriller (Sunday 2 PM)
Greg McKitrick (reader), Gwen Hunter, Shirlee Smith Matheson, Darusha Wehm, SG Wong

Cyberpunk and Social Order (Sunday, 4pm)
Hayden Trenholm, Nowick Gray, Darusha Wehm, Ron Bender
Cyberpunk is all about addressing how societal technology advancements bring moral and social questions to light. In an age of realized megacorporations and vulnerable technologies, is cyberpunk going mainstream? This panel will address cyberpunk literature and societal crashes, both now and in the future.

Humans. In. Spa-a-a-ace…

Humans. In. Spa-a-a-ace…

It’s sometimes easy to forget that we live in an age where there are always humans living in space, though still a select few. As I write this, there are three humans currently in space. Thanks to people like Sunita Williams and Chris Hadfield, us earthbound folks have unprecedented access to what that’s really like.

In fiction, though, there are lots of ways humans are depicted as living in space. Here are a few of the common ones:

Living aboard a spaceship

Space is vast, so it makes sense that a lot of our stories are about exploring that vastness. Living aboard a moving vessel is something that people have done throughout history, and many of those real-life ships inspired the visions of future long distance spacecraft.

The internal structures of military seagoing vessels, such as submarines and naval ships, are recognizable in fictional spaceships like Galactica or Enterprise. Their larger size however, allows for more common areas and roomier quarters — at least for people in high positions. Serenity, on the other hand, is more reminiscent of merchant sailing ships.

In stories set aboard spaceships, most of the characters are there because of their work, though in some cases families or civilians are also living aboard.

Follow Darusha Wehm’s board Life on a Spaceship on Pinterest.

Life aboard a space station

These are often reminiscent of remote research stations on Earth, or large malls. Many contain areas with plants or green spaces, as depicted on Babylon 5, and “town square”-like zones for commerce and community (the Zocalo on B5 or the Promenade on Deep Space Nine). Some are more commercial or military, like Space Station V in 2001: A Space Odyssey.

Here, the people are depicted as mainly being there for professional reasons, although some stations are akin to airports — as waystations from one destination to another.

Follow Darusha Wehm’s board Life on a Working Space Station on Pinterest.

Space habitats – day to day life, but in space

Unlike spaceships or stations, the population on space habitat is mainly made of “ordinary people” who are living regular lives in an artificial environment. Here you see homes, parks, transportation — the same things you’d see in a city on Earth. These are the most imaginative of the three types of environment, as they have no direct model on Earth. They are also the most appealing to me, probably because the combine the familiar environment of Earth with the novelty and wonder of living in space.

Follow Darusha Wehm’s board Life on a Space Habitat on Pinterest.

Our imaginations take us beyond the gravity well of our home planet in film, television and books, just as those pioneering individuals like Williams and Hadfield take humanity’s first steps into orbit. I’d like to think that these fictional stories and images help to inspire our continued exploration of the cosmos beyond our atmosphere.

Interview with Rebecca Roland, author of Fractured Days

Interview with Rebecca Roland, author of Fractured Days

Today we have an interview with Rebecca Roland, whose new novel Fractured Days has just been released.

Malia returns home the hero of a war she can’t remember. The valley burning under the Maddion’s invasion, the fate of her late husband, the way she resolved the long-time distrust between the Taakwa people and the wolfish, winged Jegudun creatures–all of it has been erased from her memory. Malia hopes to resume training as her village’s next clan mother, but when the symbiotic magic that she and the Jeguduns used to repair the valley’s protective barrier starts to consume more and more of her mind, she’s faced with the threat of losing herself completely.

A powerful being known as “the changer” might hold the solution to her vanishing memories. But the Maddion’s new leader, Muvumo, also seeks the changer, hoping the being will cure them of the mysterious illness killing off his people. Meanwhile, Muvumo’s bride hopes the changer can bring about a new era, one in which she and the other Maddion women no longer need to hold onto their greatest secret.

Me: Can you describe your writing for someone who is unfamiliar with it?

Rebecca: My latest novel, Fractured Days, is fantasy with a wee bit of science fiction thrown into the mix. I tend to write fantasy most of the time, and sometimes venture into science fiction and horror. I enjoy writing fantasy the most, though, because I can play around with different settings, social constructs, organisms, and magic.

Me: Would you want to live in the world of your book? Why or why not?

Rebecca: I think I could be happy living in the world of my book, so long as things were peaceful. My main character, Malia, lives in a pre-technological world that looks an awful lot like the American Southwest. Although there’s no tech to make life easier, tasks are shared among many people and are therefore easier. Plus, she’s friends with the Jeguduns, who are small, winged, humanoid creatures that live in the cliffs surrounding her valley home. They’re intelligent, they have a good sense of humor, and they’re loyal. Plus, they know about chocolate.

Me: Why did you write this story? What is compelling about it for you?

Rebecca: Fractured Days is the sequel to my novel Shards of History. I wanted to write this book because I kept thinking about my characters and what they were up to, and because I wanted to explore how people recover after war, how people cope with issues with failing memory, and how people push for social change.

Me: What surprised you while writing it?

Rebecca: There was one relationship that sort of popped up and blossomed while I was writing, and I wasn’t expecting it at all. I feel like I’m not very good at writing romance, so I figured my subconscious was giving me a gift with this couple and just went along with it.

Me: How will reading it make people feel?

Rebecca: The book includes drama, adventure, magic, and romance. I’m hoping that readers not only find it a page-turner, but that it also gives provokes some thought about social inequality.

Me: Was there anything you did deliberately while crafting this novel (pacing, language, symbolism…)? Why?

Rebecca: One of the things I had to describe was how Malia’s memory was being eroded by the magic she had used in the previous story. That’s challenging to convey, so I described it as a fog rolling in, and slowly taking over more mental territory, so to speak. I find fogs and mists creepy, so a magic fog slowly consuming one’s mind seemed disturbing.

Find Fractured Days at World Weaver Press.


Rebecca is the author of the Shards of History series, The Necromancer’s Inheritance series, and The King of Ash and Bones, and Other Stories. Her short fiction has appeared in publications such as Nature, Fantastic Stories of the Imagination, Stupefying Stories, Plasma Frequency, and Every Day Fiction, and she is a graduate of the Odyssey Writing Workshop. You can find out more about her and her work at or follow her on Twitter at @rebecca_roland.